From wood and snow, John Zipprich shapes a life
By Drew Myron
John Zipprich sees in subtraction.
“There are 2 ways to sculpt: add or subtract. You either build it up or take it away,” says the accomplished Pine Grove artist, who sculpts in both wood and snow. “We carve out what we don’t want. That’s how I carve.”
A self-taught artist, John calls himself a woodcarver for hire, but his humility belies his prolific output. Over a span of 50 years, John has created hundreds of works that dot the Pacific Northwest.
His large-scale woodcarvings depict Western scenes of mountains, rivers, streams, and wildlife. These 1-of-a-kind works carved from pine, fir, juniper, cedar, and other woods hang in local restaurants, libraries, a national forest, and numerous private homes. His commercial pieces include signs for restaurants, bars, bed-and-breakfasts, roadways, and a lumber company.
John’s most notable work, however, does not bear his name.
At Timberline Lodge, John preserves the past. For decades, he has restored, reproduced, and repaired furniture, carvings, and signage that decorate this National Historic Landmark on Mount Hood.
Timberline Lodge was built at 5,960 feet during the Depression as part of a sweeping Works Progress Administration project. In the 1930s, artists working with paint, wood, stone, iron, and textiles combined their efforts to create 1 of America’s first ski lodges. 1 of Oregon’s most popular attractions, Timberline Lodge, hosts 2 million visitors annually.
The lodge is a living museum of art, craft, and history, nestled in a stunning but often harsh, weather-worn environment. Maintaining and preserving the lodge is a full-time job, according to Linny Adamson, the curator who oversees the preservation of the facility.
“The weather here is extreme,” she says. “A team of artists and tradespeople help preserve the historic fabric of the lodge. Preserving original materials ensures the significance as a National Historic Landmark.”
Linny has worked with John for nearly 50 years. John worked on staff as a maintenance man for many years, charged with repairing the lodge’s historic furniture.
“I admire Zippy,” Linny says. “He grew up in the trees. He’s self-taught, and he’s made a way of life out of carving.”
Recently, John remade life-size ram and buffalo head corbels installed at the lodge’s main entrance. In 2009, he recreated 1 of Timberline Lodge’s most prominent carvings: a 15-foot-by-3-foot lintel above the upper front entrance.
The Thunderbird design features mountains below the wings of the bird. Due to time and the mountain’s harsh alpine conditions, the piece had disintegrated. Carved from a massive slab of Douglas fir, the stately bird now stands again above the front door.
John’s skill of subtraction is also applied to a more temporary form of art: snow carving. For more than 30 years, he has traveled the world to compete in snow-carving competitions. Since 1990, he has amassed medals from Russia, Japan, Finland, and the United States. Last winter, his team won first place in the Idaho Snow Sculpture competition in McCall.
Carved from a block of snow measuring 8 feet by 6 feet by 6 feet, John’s winning design, “Improbable Juxtapositions,” featured a wrench and seashell nestled together.
“The whole idea of snow sculpture is to have suspended weight, held together only through frozen snow, so the colder, the better,” John says. “Because of the unsupported areas, these large sculptures can be fragile. You gotta push the edge. The more suspended weight, the more interesting.”
Snow carvings are created in teams of 3 to 4 people over 3 to 4 days. All carving is done by hand—no power tools are allowed—from blocks of packed snow that tower 8 to 12 feet tall. Prior to the event, teams spend months creating designs and models to test form and function. All designs must be original and cannot be reused in future competitions.
John’s recent work was a matter of personal preference.
“The elements of the design, a wrench and a shell, have no relationship to each other,” he says. “I just liked the shapes, the mix of industrial and natural.”
John got involved in the sport when some pals in Government Camp invited him to join their team.
“It was a bunch of drunk yahoos looking for more talented yahoos,” says John, erupting in a bellowing laugh.
Born in Los Gatos, California, John grew up in Welches at the western foot of Mount Hood. In 1992, he made his home in Pine Grove. He renovated the place to include home and garage studios, along with a room to raise his son, Dennis, and daughter, Amber.
John is planning for the World Snow Sculpting Championship in January 2024. Teams from around the world will travel to Stillwater, Minnesota, to compete for prize money and the title of world champion.